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This issue focuses on an aspect of experimental electronic music that might be rather obvious: bringing anything to life usually is a collective effort. Our world and its culture thrives on collaboration, be it between artists or the number of people involved to get a release ready and out into the world. Given the abundance of collaborations, a deep(er) dive into their internal structures is warranted. For example, a recent EP by Phillip Jondo, which features Maxwell Sterling and DJ Plead, clearly designates these collaborations as such. However, the details of how this three-way-constellation developed into a shared practice are not as obvious. With the new issue of zweikommasieben, these details are being addressed in a conversation. Despite being a common practice in the scene, the modus operandi of collaboration is far from clear or pre-determined. :3LON explains in an interview that they often rely on intuition in choosing how to go about working together with others instead of deliberately weighing up interests. Bonaventure goes one step further by questioning the differentiation between solo and collaborative efforts: “Everything I share as a ‘solo project’ is in fact never experienced as such,” she explains in the pages of this magazine. The things we do are as much enabled by as they facilitate the connections we share with other people. zweikommasieben #24 highlights the conditions, intricacies, and consequences of collective efforts in the featured interviews, essays, columns, and artist contributions. All-English issue, 114pages, 165x235mm, zweikommasieben is a magazine that has been devoted to the documentation of contemporary music and sound since the summer of 2011. The magazine features artist interviews, essays, and columns as well as photography, illustration, and graphics.

Feu est une publication indépendante qui s'intéresse aux cultures et contre-cultures qui dessinent notre époque, avec une emphase sur les identités Queers et Créoles. Son regard peut-être tour à tour joyeux, espiègle, militant, grave, politique et poétique. Son esthétique se distingue par une approche radicale de l'image, animée par un fort enthousiasme pour une dynamique inclusive au regard des corps, des genres, des sexualités et des origines.19 X 26

SOMMAIREFrédéric Junqua« The Blue Nile, un artisanat de l'artifice »James Parker & Nicholas Croggon« Critique moderne et révisionnisme pop »Pierre Evil & Fred Hanak« Gangsta-Rap : un post-scriptum (2005-2015) »Laurent Fintoni« Le hip-hop des 90s ou l'illusion du sacré »Quentin Delannoi« L’inclassique Olivier Greiff »Stefan Goldmann« Le grand complot des presets »